This preamble to a post on purpose clauses was originally written on July 27, 2025. Now that the world has changed this has become rather quaint, but I preserve it here as an artifact of what I was already beginning to feel strongly last year. I note that I was also seeing this in the water as long ago as January 2012, which feels a little poignant to read. I have been struggling with this for such a long time!
There is also an onomastically frustrating pair doing a lot of heavy lifting: on the one hand the nominal clause, referring to a finite clause being used in nominal syntactic positions; and on the other the nominalized clause, a non-finite clause which has formally become a nominal with all the expected syntactic properties. As discussed previously, we really seriously need some better nomenclature here.
As also discussed previously, it's not entirely clear how applicable or useful the language of "finiteness" is for Koa in the first place. I continue to use the terminology out of habit because that's how these structures might be described in other languages, and I haven't come up with anything more Koa-specific. I suppose I could use even more standard language and say "complement clause" instead of "nominal clause," "relative clause" instead of "adjectival clause," and so on, but here's the thing:
In most languages there's a haphazard variety of strategies in use to achieve these communicative needs, and it makes sense to group them under a labeled conceptual umbrella like "complement clause." In Koa, though, most of these are just clauses -- plain old finite clauses, like any other -- and the only difference is which clause marker they each bear. This is analogous to the way that Koa dispenses with formal lexical class, with nominal/adjectival/verbal/adverbial/etc. status being determined entirely by syntactic context. It feels weird to give something a secondary label when its meaning is already transparently derivable from first principles.
Just like all "content words" in Koa are called "predicates," and when I need to refer to their use in a specific context I can say "nominal predicate," or more wordily "a predicate used in a nominal context," I wonder if I could do something similar with clauses. Koa has its own terminology for these things: for example méama, literally "thinger," for the above type of syntactic context.
Sunday, July 26, 2026
Excursus for posterity: Syntactic nomenclature
The mistakes we make
For the last 24 years there have been two areas of Koa syntax that have vexed me above all others. My posts on the subject have constituted a kind of chronicle of miseries as I thrashed back and forth trying to make sense of these things; I have made and then retracted the same decisions multiple times. To wit --
On specifiers and indefinite participant marking: First thoughts on syntax (2002), The birth of the modern article system (2003), Specifier clarification, possession, and other changes (2009), The sweeping generalization in Koa (2010), Specifier flowchart (2010), Object incorporation (2011), Marking indefinite NPs (2012), Quantifiers and specifiers (2021), What's in a specifier? (2022), Some, all and none (2025)
On dependent clauses: More Thoughts, Obtained Whilst Tossing & Turning (2007), Embedded clauses: the show so far (2012), New embedded clause options (2012), The Grand Unified Theory of dependent clauses (2019), Entr'acte: The vanity of logic and typological neutrality (2021), Resolving the probability waveform of dependent clauses (2021), Dependent clauses re-re-reenvisioned (2023), Bride of the nominalized clause (2023), Finite clause types at last (2025)
I had also been noticing that, as happy as I was in the moment with my recent progress in these areas, Koa syntax had become rigid and brittle in a way I was increasingly dismayed with. It made me less excited to work on the language or speak it, and I found myself wondering with a certain amount of resentment how it was that Nahuatl -- omnipredicative very analogously to Koa -- was allowed to be so fluid and relaxed.
And then, out of nowhere, earlier this week it suddenly dawned on me that these woes are really all the same problem. Crucially, it's not the syntactic/pragmatic design problem I thought it was: in fact, it's a cluster of dead ends manufactured largely by Indo-European grammatical terminology and the assumptions imported along with it. There are actually good answers to these formerly intractable questions, answers that are internally consistent, cross-typologically defensible and loyal to the spirit of the language, answers that let Koa sway and breathe.
Answers to other questions, sometimes surprising ones, have tumbled out alongside them this past week, and I find myself in a rather profound moment in the conceptual history of this language. All of this -- the understandings, the changes that follow from them, and a new meta-language of description that won't tie the system in knots with IE artifacts -- is still unfolding. Nonetheless I want to try to document what I now know about my own language, and where I suddenly clearly see critical mistakes to have been made in the past.
...unfortunately, or fortunately depending on how you look at it, the implications of all these changes and realizations have turned out to be quite broad. I had initially thought I would be writing a single post today that would sum it all up, but my docket has ballooned to essentially the size of a small reference grammar:
1. Lexical Class in Koa
1.1 The Particle
1.2 The Predicate
1.2.1 Predicate Functions
1.2.2 Pronominals
2. Argument Marking
2.1 Specifiers
2.2 Quantifiers
2.3 Operator Nesting / Scope layering
2.4 Compound Proforms (Correlatives)
2.5 Existential Structures
2.6 Negative Existentials & Concord
2.7. Disambiguation & Emphasis
3. Modifiers
3.1 Modifier Marking
3.2 Relativization
3.3 Object Incorporation
4. Argument Juxtaposition
4.1 Pronominal Possession
4.2 Predicate Possession
4.3 Ditransitive Arguments
4.4 Other Uses of Juxtaposition
5. Adjunctives & Relators
5.1 With Arguments
5.2 With Clauses
6. The Clause
6.1 Clause Markers
6.2 Finiteness & Nominalization
7. Constructional Specification
7.1 Categorical Typing
7.2 Output Constructions
So this is a very exciting list of topics to (A) finally understand fully and (B) get to write about, and also I wish I could take a week off of work in which to do it: I'm pretty sure the right venue for this would be a cabin by an alpine lake in Slovenia. Hopefully my girls will let me sneak away a bit this coming week.
Saturday, January 3, 2026
Koa Phonology I: Vocalism
Voa usi iolo! Viloa 2026...
Despite the fact that phonetics and phonology are arguably my favorite areas of linguistics (with honorable mention to historical change), I've managed to go 18 years on this blog saying very little about these things. It's time to make amends! This will be the first in a series in which I'll try to describe Koa's phonology with the rigor it deserves.
1. Koa Phonology
Having been conceived as an international auxiliary language, it may be helpful as a conceptual device to imagine a world in which Koa is spoken as an L2 by people from many different language backgrounds. In such a world, we would inevitably see a great deal of regional variation in the actual realization of Koa's phonology; it was in fact an original design parameter that the phonology expect and allow for this variation. Though we attempt here a description of a neutral standard, then -- coincidentally the dialect of the author -- it is important to bear in mind that no single region is intended as the language's center of gravity, validity or prestige. From a prescriptive perspective, L1 constraints may drive the precise realization of these phonemes freely as long as they remain consistent and distinct from one another.
For this reason, each section below describes both the standard and the range of expected acceptable variation we might expect to encounter around the world.
1.1 Vocalism
1.1.1 Monophthongs
Koa has the five short vowels typical of many world languages, and three long vowel phonemes; vowels are rounded only if [+back]:
| Short | Long | ||||||
|---|---|---|---|---|---|---|---|
| Front | Central | Back | Front | Central | Back | ||
| High | i [ɪ] | u [ʊ] | i: [iː] | u: [uː] | |||
| Mid | e [ɛ] | o [ɔ] | |||||
| Low | a [ɑ] | a: [ɑː] | |||||
Long vowels are held for approximately 1.5 times the duration of short vowels. Note that mid vowels lack a long counterpart, long */e:/ and */o:/ having merged with /ei̯/ and /ou̯/ respectively (see 1.1.2 Diphthongs). Short /a/ tends to be rather more front than long /a:/. Vowel quality and quantity do not vary with stress or position.
Note: /i/ and /u/ are very peripheral and notably closer than the usual realization of the corresponding phonemes in e.g. English or German.
1.1.1.1 Variation
Provided that all phonemes remain distinct from each other, we may see variation in the following areas:
* Long vowels held for the duration of two full short vowels e.g. /a:/ → [ɑːː], or pronounced as two distinct short vowels in sequence e.g. [ɑɑ]
* Tensing of high vowels to [i u] or further laxing to [ɪ̞ ʊ̞]
* Closer mid vowels [e o]
* Frontness of /a/ anywhere from [a] to [ɑ], some rounding towards [ɒ], or some raising towards [ɐ] or [æ]
* Unrounding of back vowels, particularly /u/ as [ɯ] or [ɨ]
* Fronting of /u/ to [ʏ] or [ʉ]
Whatever the exact realization of each phoneme, it is strongly preferred that it remain consistent in quality in all positions to ease parsing by speakers of other dialects.
1.1.1.2 Devoicing
There is a tendency in rapid speech for unstressed non-initial high short vowels partially or completely to lose their voicing -- though not their duration -- following a voiceless consonant: /ákuci/ → [ˈɑkʊ̥ʃi] "hunter," /ti‿élate/ → [tɪ̥ˈɛlɑtɛ] "this life," /àpu‿taéma/ → [ˌɑpʊ̥tɑˈɛmɑ] "help his parents." This may occur even if the high vowel is stressed within its own word, but not its larger prosodic group: /ka‿somaéte‿mokùne/ → [mɔˌku̥nɛ] "what you're doing together." Utterance-final devoicing is possible but less common.
1.1.2 Diphthongs
Combinations of any two unlike vowels are possible within a single lengthened syllable. Such diphthongs exist in two types: falling (short) and balanced (long).
Falling: Where the origin is non-high and the target is high, the sequence is realized as a falling diphthong at approximately 1.2 times the duration of a short monophthongal vowel: ai [ɑɪ̯], ei [eɪ̯], oi [ɔɪ̯], au [ɑʊ̯], eu [ɛʊ̯], ou [oʊ̯].
Balanced: In other cases, diphthongs can be considered balanced in that neither the origin nor target is fully non-syllabic; the origin tends to have slightly greater duration than the target. These diphthongs are approximately the length of a long vowel, that is 1.5 times that of a short vowel: ae [ɑ͡ɛ], ao [ɑ͡ɔ], ea [ɛ͡ɑ], eo [ɛ͡ɔ], ia [ɪ͡ɑ], ie [ɪ͡ɛ], io [ɪ͡ɔ], iu [ɪ͡ʊ], oa [ɔ͡ɑ], oe [ɔ͡ɛ], ua [ʊ͡ɑ], ue [ʊ͡ɛ], ui [ʊ͡ɪ], uo [ʊ͡ɔ].
1.1.2.1 Variation
Alternative possible realizations include:
- Pronunciation of diphthongs as two consecutive full short vowels
- Diphthongs with an initial high vowel as rising: ia [ɪ̯ɑ], ie [ɪ̯ɛ], ua [ʊ̯ɑ], ue [ʊ̯ɛ], etc.
- Centralization of the origin of /ai/ and /au/ → [əɪ̯ əʊ̯], [ʌɪ̯ ʌʊ̯], [ɐɪ̯ ɐʊ̯], etc.
1.1.3 Orthography
Koa vowels are written identically to the phonemic symbols here used, whether single or in combination, except that long vowels are shown orthographically by doubling: aa /a:/ etc.
Thursday, November 27, 2025
The allowable word
I've been turning a series of proper posts about Koa phonology over in my head for years, and maybe I'll finally get around to this now that the temperatures have fallen and the rains have set in. In the mean time I hope this discussion will help me firm up my understanding and description of some of the more complex corners of this topic.
So then: the simplest Koa lexical word (i.e. predicate) shapes are of the form (C)VCV, as in
CVCV: halu "want," lani "sky"
VCV: ika "acceptable," oto "crow"
The above are clearly bisyllabic, theoretically the defining criterion for predicates as opposed to particles. I say "theoretically" because another major group of Koa roots, though formally similar, behaves quite differently phonetically.
CVV: moe "dream," kai "sea," hiu "knife," paa "head," suu "mouth"
The reality is that, under ordinary circumstances, these VV sequences are not, in fact, pronounced as two consecutive full-length vowels in separate syllables, but as monosyllables: as lengthened vowels or diphthongs. We need a different phonological category here which I'm not entirely sure how to label: "long vowels" and "diphthongs" each sound exclusive of the other. "Polymoraic nuclei"? That's a bit much. Perhaps "complex vowels," against the "simple vowels" of the first two shapes?
Complex vowels, as it turns out, then, occupy about 1.2 to 1.5 times the duration of simple vowels, and thus CVV words are quite a bit shorter than CVCV words. Bisyllabic lani "sky," for example, is noticeably longer in duration than monosyllabic lai "return" or laa "therefore."
Where the two vowels are the same, we end up with a single long vowel: paa [pɑː]. This means that the orthography is imprecise at present; the aa in e.g. taahe "his arm," for instance, is pronounced as two full vowels in sequence, whereas in sáate "allowance" it represents a complex vowel of intermediate length. This distinction can probably be resolved by morphological context (i.e. sáa.te is composed of a predicate with a complex vowel followed by a suffix, whereas ta.ahe contains a predicate with two full syllables preceded by a prefix), but I have at times toyed with the idea of introducing a macron to make this absolutely explicit: taahe vs. sāte. As I suspect that my primary motivation here may simply be a love of macrons, I continue to restrain myself.
Back to the plot: where the origin and target differ, the resultant diphthong will be falling if the first member is non-high and the second is high: kai [kɑi̯] "sea," tei [tei̯] "onward," hoi [hɔi̯] "foot"; lau [lɑu̯] "shadow," ceu [ʃɛu̯] "damn," mou [mou̯] "disappear." These combinations have a relatively short duration, only slightly longer than a simple vowel. In all other combinations both vowels share syllabic value, with a transitional space between them; slight priority of duration is given to the first vowel.
I should clarify -- remembering that Koa is nominally intended as an IAL -- that it would not be incorrect to pronounce these complex vowels as sequences of two ordinary full vowels in separate syllables. In colloquial flowing speech, however, this would be unusual and would likely denote either a lack of fluency or some kind of marked pragmatic status (meli liiiiia "waaaaay too sweet").
Before continuing on, we should note one disallowed shape for predicates; these group instead with particles and affectives:
*VV: ae, ei, io, oe, ui, etc.
Now that all of the above has been thoroughly described, we can define the area of interest that originally inspired this post as a different type of predicate root: those of the form VVCV.
Right off the bat we will need to draw a distinction between two sets of what we have been calling complex vowels. This gets complicated very quickly, because vowel combinations with the particular phonetic characteristics discussed earlier do not necessarily pattern together!
On the one hand we have what we might designate as short complex vowels. These contain the true diphthongs ai, au, eu, oi -- diphthongs with one clear syllabic and one clear non-syllabic member. ei and ou, though phonetically members of this same set, pattern instead with long vowels.*
The set of short complex vowels also contains the combinations ia, ie, io, iu, because in initial or postvocalic position -- as distinct from the postconsonantal realization described earlier -- the i becomes fully non-syllabic: [ja, je, jo, ju]. Potentially similar rising dipththongs with u, however (ua, ue, ui, uo), do not pattern this way due to blocking by the phoneme /v/: as [w] is one of its primary allowable realizations, there would be no distinction between e.g. ue and ve in speakers who pronounce /v/ this way.
Our short complex vowels, then, are ai, au; eu; ia, ie, io, iu; oi.
Long complex vowels include everything else: the long vowels aa ii uu, and all remaining dipthongs ae, ao; ea, ei, eo; oa, oe, ou; ua, ue, ui, uo.
With these definitions in hand, we can now say that VVCV roots are allowed only if the initial complex vowel is short:
VVCV: aimo "star," auli "willing, eager," euca "selfish," iapu "spit," iela "whole, unbroken," iolo "jolly," iuna "train," oisa "seed."
*VV:CV: aela, outo, iisi, eoku, etc. (all disallowed)
NB: /v/ is disallowed after au and eu in VVCV roots, as e.g. *euva [ɛu̯wɑ] would be all but indistinguishable from eva [ɛwɑ] for those speakers who pronounce /v/ as [w].
The last allowable predicate shape, and the object of my recent discovery mentioned above, is the sonority festival VVV. This is possible only under very specific conditions: if the initial two vowels constitute a complex vowel, if that complex vowel is short, if the resultant form would have two syllabic nuclei, if the second member of the complex vowel is not u, and if the resultant form would not violate phonological constraints. Thus:
In VVV roots au and eu are not allowable as the initial complex vowel because e.g. *aua would be identical in pronunciation to ava for many speakers; ia, ie, io and iu are not allowable because the resultant forms would have only one syllabic nucleus (*iuu, *iai, *ioe, etc.); the final vowel may not be /i/ because the sequence [ji] violates phonological constraints (*aii [ɑji] etc.); and forms like *eia or *uio are not allowable because the initial complex vowel is not short.
So...after all that, there are only eight! But beautiful words, which I'm very happy to have discovered.
It occurs to me that we're now in a position to define the minimum Koa lexical word as either (A) having two syllabic nuclei, or (B) having a complex syllabic nucleus with onset, in a form that violates no phonological constraints.
The maximal root word, on the other hand, might be described something like this (possibly incomplete):
1. A maximum of two syllables (*keleki)
2. If containing two syllables, neither may satisfy minimum word conditions alone (*keile, *akai)
3. If containing a long complex vowel, a maximum of one syllable (*eile)
I've asked myself about condition 3 quite a lot of times. Whereas conditions 1 and 2 serve to prevent certain and profligate misunderstanding, there's nothing objectively wrong with words like *aela...except that they're just too heavy to be Koa. The language doesn't have Estonian's oomph, and they feel like compounds even though they technically couldn't be.
...and that, ladies and gentlemen, is that! Time to go put some yams in the oven. It's been fascinating to discover how much complexity has emerged here: none of this was anything I would ever have expected in 1999.
* Sequences of identical mid vowels are disallowed within predicates, as the distinction between e.g. /ee/ and /ei/ was deemed likely to be too marginal to bear semantic load for many speakers. One could say, perhaps, that [ei̯] is the surface realization of both /ee/ and /ei/, and that [ou̯] is the surface realization of both /oo/ and /ou/. As such, ei and ou pattern with long complex vowels even though their phonetic realization, short in duration, matches that of other true diphthongs like au and oi.
Saturday, September 13, 2025
Happy 26th Koa Day!

Three parallel options rely on verbs of intention or cognition, and as usual in these kinds of expressions, the personal pronoun is optional:
(ni)mana = "I mean," lit. "(I) intend"
(ni)meti = "I mean," lit. "(I'm) thinking"
(ni)lusano = "I mean," lit. "(I) want/intend to say"
In practice I think there would be very little semantic difference between the three. These would also work in other persons, e.g. Kea sa semana / semeti / selusano? "What do you mean?"
Anther possibility in this discourse context would be (au) vitai "(or) may it be," cf. Portuguese ou seja, as long as the discourse rather than semantic function is primary. The usual translation of this expression is "that is," and in this sense it's similar to English's "(or) like..."
The verb of signifying, on the other hand, is of course sema, as in Kea sa toa i sema? "What does that mean?" In a nominal context it can mean "sign" or "symbol" -- i.e. "that which signifies" -- and sema can also be used in discourse to mean "so," "...and that means...," similarly to nii "in that case" and laa "therefore."

Pusheen and friends send their Koa greetings
Coming up in Koa's next year, hopefully, pending my time and resource availability, is some more big business. On the docket I've currently got more about indefinite nominal marking (heaven help us), serial verbs, locators, adverbial clauses, and a bunch of other miscellany. Kito la poka masii ne -- thanks to everyone who's been following along over the years!
Wednesday, August 6, 2025
Serial verbs versus syntactic complexity
Since the most recent post I've been coming to a series of realizations about Koa syntax, in equal parts exciting and disquieting. Exciting because these realizations -- realizations about serial verbs, I should say -- open a path to a much clearer and simpler structure for a variety of types of expression that have endlessly puzzled or frustrated me. They're simultaneously disquieting, though, because I seem to have missed or failed adequately to understand a critical part of Koa grammar which happens to be least similar to the European languages of my close acquaintance. I feel rather embarrassed about the extent of that blind spot.
To be clear, this isn't a question of "correct" versus "incorrect:": it's more akin to a statement like "I went home in order that I might take a nap" being used in everyday conversation. There is nothing grammatically incorrect about that sentence, but it is heavy, wordy, extremely syntactically complex, and conspicuously out of register. Something like the following would clearly be preferable on all those variables:
I went home to take a nap
I went home and took a nap
I went home, took a nap (conversational)
So it is with Koa, in which I now realize that I've been white-knuckling it through syntactic structures that have made a lot of my writing sound like I was trying to craft a legal contract. I wince to look back at Are You My Mother? (Okay whew: I did just look, and it's not as bad as I feared. The main offenders are, appropriately, purpose clauses.)
I'm working on laying out a more encyclopedic taxonomy of Koa serial verbs and usages, but in the mean time, I wanted to document broadly some of the chief areas of usage where I think properly employed serial verbs will have the greatest effect on the "feel" of Koa.
1. Embedded Clauses
Here a SVC elegantly replaces what would otherwise be a nominal or adverbial clause.
1.1 Modal & Auxiliary Verbs (want, start, can)
ni-halu i súsose
1SG-want SV kiss.you
"I want to kiss you"
ta-ama i lalu i aki
3SG-start SV sing SV sudden
"he suddenly started singing"
ni-voi i suo po kaca
1SG-able SV eat UNIV glass
"I can eat glass" (tanavakánuni -- it doesn't hurt me)
These usages share some characteristics of section 3 (conjoined clauses), in which a single complex event is represented by multiple constituent verbs. In fact, SVC's tend to blur the lines between a lot of construction types in syntactically fussier languages.
1.2 Causatives
ka sua i mei nipaa i eha
DEF sun MAIN.CL cause my.head SV hurt
"the sun made my head hurt"
(incidentally a translation of an example sentence from my Bislama grammar: San i mekem hed blong mi i soa)
In terms of register I'm not sure how much there is to choose between the SVC as above and a version with a nominal clause, ka sua i mei nipaa ko eha: they're of exactly equal length, the significant syntactic (but not semantic) difference being determined by the choice of a single particle. The same could be said of "I want to kiss you," also possible as nihalu ko súsose. We'll have to think about this one.
Anyway, though, the usual way to express this specific example would obviously be with the causative particle mu: ka sua i mueha nipaa.
1.3 Purpose Clauses
ka amenene i luvu i meti
DEF baby.bird MAIN.CL stop SV think
"the baby bird stopped to think"
...or "stopped and thought," but the distinction is usually hardly material, and this amount of ambiguity seems to be taken in stride in serial verb languages.
2. Adjuncts & Adverbials
To my relief, these structures have been in use for a very long time! A lot of concepts that would universally be considered adverbial in European languages, and have their own dedicated words, show up as serial verbs in Koa:
ni-lóha-se i poli
1SG-love-2SG SV much
"I love you very much"
Ø-pane ka moli i lai
IMP-put DEF candle SV return
"put the candle back"
láe.va-ta i tasi, Sami
play-3SG SV repeat, Sam
"play it again, Sam"
ta-lolo ka neu i sisu i itu hoi
3SG-grasp DEF pig SV tenacious SV use foot
"she held the pig tightly and tenaciously with her feet"
In this last example, an instrumental cihoi "by means of feet" would be perfectly fine too and probably much more common -- just illustrating the possibilities.
3. Conjoined Clauses and Complex Events
It turns out that a lot of ands between verbs and clauses are most fluently translated by SVC's in Koa:
ni-mi.eki ne-masa i suo ámu.suote
1SG-INCH-sit LOC-table SV eat breakfast
"I sat down at the table and ate breakfast"
We can also use clusters of verbs to express events with very complex internal structure:
le_Kéoni i aia auto i luo puu i tui i mua
John MAIN.CL drive car SV hit tree SV smash SV die
"John crashed his car into a tree, killing it"
OR "John crashed his car into a tree and died"
I'm sure there there are many other usages that are still escaping my notice, and there's a ton more to say even about the above types: coming soon.
I have to say, it's rather fascinating to see how frustrated my rigid European linguistic mindset gets with a lot of the forms above; I seem desperately to want to imprison everything in labeled, nested hierarchic trees. This is all going to take some getting used to.
Sunday, July 27, 2025
Purpose and result clauses
This is, at last, a review of the means Koa has developed to express the intended or actual effect of an action, structures which have been decided and in use for at least two years now and awaiting their moment in the sun.
One expresses these semantics via at least three entirely distinct syntactic structures, of which the simplest is the serial verb construction (speaking of long awaiting formal description). Most of the heavy lifting heretofore, though, has been courtesy of oblique nominal clauses -- known in this usage for many years -- and adverbial clauses, much more recently understood.
(Aside: I'm experiencing some onomastic frustration as I try to use English-language grammatical terminology to describe clause-level Koa syntactic structures, and had already written a multi-paragraph excursus before realizing it wasn't really going to be helpful in understanding the subject at hand. Perhaps I should flesh it out into a post of its own...)
Let's compare each type of result clause to the corresponding purpose clause to make the structures and meaning conveyed as clear as possible. First, with oblique nominal clauses:
1A. ta-talu le_Kéoni me ko ta-sulu
3SG-push John COM NOM.CL 3SG-collapse
"he pushed John over," lit. "he pushed John with him falling down"
1B. ta-talu le_Kéoni la ko ta-sulu
3SG-push John ALL NOM.CL 3SG-collapse
"he pushed John to knock him down," lit. "he pushed John for him falling down"
In 1A the structure uses the comitative me "with" to specify the outcome of the action -- John falling down -- whereas 1B uses the allative la "to/for" to express only the intention, with the actual result remaining unexplored.
I was nervous about these structures for a long time in fear that they might be importing unexamined IE calques, but with further thought I realized that this is in fact an extremely common strategy cross-linguistically (in both Spanish and Turkish, for instance).
In the examples above, note that there is a bit of theoretical ambiguity in the intended referent of ta in tasulu: 1A could also potentially mean "he pushed John and fell down." In general, however, subject particles in an embedded clause are omitted when coreferential with the subject of the matrix clause, so with that meaning we would expect to see instead tatalu le Kéoni me ko Ø-sulu. In practice, of course, context would also strongly inform the interpretation.
An exhaustive post on the form and use of adverbial clauses is urgently needed and long overdue, and this discussion anticipates that core understanding a bit. Here are the same parallel expressions using this construction:
2A. ta-talu le_Kéoni ve ta-sulu
3SG-push John ADV.CL 3SG-collapse
"he pushed John over," lit. "he pushed John such that he fell down"
2B. ta-talu le_Kéoni ve ta-cu-sulu
3SG-push John ADV.CL 3SG-IRR-collapse
'he pushed John to knock him down," lit. "he pushed John such that he would fall down"
Note that the only difference between 2A and 2B is that in 2B the result clause contains the irrealis cu: thus the described outcome is hypothetical, and expresses only intention. I really quite love this new (well, newish -- 2023 still feels recent) addition to my understanding of how Koa can work, informed by languages as distinct as Latin, Basque and Nahuatl!
Interestingly, a very small change in both example sets completely changes the parsing and introduces additional distance between the action and result (and/or between agent and patient):
1A'. ta-talu me [ le_Kéoni ko sulu ]
3SG-push COM [ John NOM.CL collapse ]
"he pushed, and John fell down"; "he pushed such that John fell down"
2A'. ta-talu [ le_Kéoni ve sulu ]
3SG-push [ John ADV.CL collapse ]
idem
The distinction in meaning is similar to that between "he killed John" and "he caused John to die." Formally, the difference hinges on the location of the brackets: whether the subject of the result clause is felt to be a patient of the matrix verb. Thus
2A. ta-talu le_Kéoni ve [ ta-sulu ]
3SG-push John ADV.CL [ 3SG-collapse ]
"he pushed John over," lit. "he pushed John such that he fell down"
2A'. ta-talu [ le_Kéoni ve sulu ]
3SG-push [ John ADV.CL collapse ]
"he pushed, and John fell down"; "he pushed (something) such that John fell down"
Lastly, and in a fashion perhaps most natively Koa of all of these, we may use serial verbs to express the same meaning. Thus
3A. ta-talu le_Kéoni i sulu
3SG-push John SV fall
"he pushed John over," lit. "he pushed John fall down"
3B. ?ta-talu le_Kéoni i vi-sulu
3SG-push John SV IMP-fall
"he pushed John to knock him down," lit. "he pushed John let him fall down!"
3A is basic and the lightest of all available options for this semantic: a Koa speaker would likely select it unless there was a reason to prefer the greater specificity or wordiness of 1A or 2A in context. I left this construction for last, though, because the parallel form for intention, 3B, is...questionable.
Prior to my discovery of the incredible potential of ve via Nahuatl near the end of 2023, the usage of the imperative in 3B was suggested by Latvian in June; I still don't really know what to think of it and whether it makes any sense at all. I honestly don't like it, but that doesn't necessarily mean it shouldn't be available...but then again there really hasn't ever been any other similar use of vi anywhere else in the language. AND I still feel weird about new modal morphology showing up late in a string of serial verbs. I don't want to nix it outright, but it feels very marginal to me.
As I mull this over, I find myself wondering whether in fact 3A could indicate either result or intention depending on context. Is that possible? All of my sense of this comes either from dipping my toes into Bislama or my native speaker intuition (such as it is) from Koa -- why don't I actually speak any natural languages that use serial verbs? What have I been doing with my life??
Okay, breathing: lots more research is clearly needed, and I have some papers touching this topic queued up to review, but in the mean time I'm finding examples via Google like this one from Mandarin:
tā tuō xié jìn wū
she take.off shoe enter house
"she took off her shoes to enter the house" OR "she took off her shoes and entered the house"
For the moment, then, it seems not unreasonable to suppose that Koa could use serial verbs in the same way -- that's rather exciting! I'm going to let that percolate over the next little while. I suspect that serial verbs may end up obviating the need in everyday usage for a lot of the syntactically complex constructions that have caused me the most angst over the years...
Before closing for today, I should mention one other type of result construction: so X that Y. The Koa formula for this is iu X ve Y, as in, for example,
ta-iu-ona ve (ta-)sulu
3SG-DEG-drunk ADV.CL (3SG-)collapse
"she was so drunk she fell down"
This dates from as far back as 2017, surprisingly, long before I had any clear sense of what ve was really all about. It now occurs to me that we could also achieve the same meaning with serial verbs, e.g.
ta-iu-ona i sulu
1SG-DEG-drunk SV collapse
"she was so drunk she fell down," lit. "she's so drunk fall down"
...and we can go ahead and disallow the imperative construction from 3B, creative idea though it was.
Since purpose clauses come up a whole lot in daily usage, I'd like to sum up our three strategies, in reverse order, for saying "I went home to take a nap":
nimene lakoto i núkuki
I.went home SV nap
lit. "I went home nap"
nimene lakoto ve cu-núkuki
I.went home ADV.CL IRR-nap
lit. "I went home that I might nap"
nimene lakoto la ko núkuki
I.went home ALL NOM.CL nap
lit. "I went home for napping"
In terms of usage, the serial verb construction is once again by far the simplest/lightest/most elegant and I would imagine we would see it most often colloquially -- not that serial verbs are necessarily coded as casual in Koa usage, though, so much as that the others may be coded as formal! For those other two, I really just don't know at this point: are there any pragmatic implications that could differentiate? Or could this be like someone versus somebody where there is genuinely no meaningful difference, just personal preference? The ve structure feels vaguely more sophisticated to me, but that may just be interference from English!
Perhaps I should try to translate something more...not actually written for small children, to create the opportunity to try out all the structures I've ended posts about by saying "We'll have to consider as this comes up in context." I wonder what? It needs to be short enough not to be overwhelming, but long enough to sink my teeth into. It would be neat if it were in a language other than English, too.
